Showing posts with label marvin gaye. Show all posts
Showing posts with label marvin gaye. Show all posts

Sunday, July 16, 2017

30-Day Music Challenge: Day 25



25. A song by an artist no longer living.

It's an old, old story, and a hard one to tell. If you tell it without sentiment, you risk sounding judgmental; no one is all bad. If you tell it with sympathy, you anger yourself and everyone else who knows that childhood trauma doesn't make a monster of everyone who's been through it.

So. On the one hand, we have a sexist drug addict whose father, on killing him, was only charged with voluntary manslaughter because the son had injured him so seriously in the fight that preceded the shooting.

On the other hand, we have a black man in 1960s America, a survivor of grievous childhood physical, verbal, and emotional abuse who, like his father, was a cross-dresser (See: David Ritz's badly-written but factual book, Divided Soul, based on interviews unfinished at the time of the artist's death).

In spite of all that, or perhaps because of it, we have the artist -- one of the most gifted in the history of American music.

I wish he had made it. I wish he had lived to see abuse survivors and transgender kids grow up, find their true families, and live happy, healthy lives full of love. I wish he had lived to encourage them -- or be encouraged by them.

This is Marvin Gaye, who is no longer living, yet lives inside of so many. The song is Inner City Blues (Make Me Wanna Holler).


Monday, June 13, 2016

For Some, Happiness Is A Charge Of Plagiarism

Because I'm old and I don't find it that relatable, I don't pay attention to current popular music. So, naturally, I missed the most infectious slice of R and B to come along since Marvin Gaye last charted.

Speaking of Marvin Gaye, there are rumblings from his estate about plagiarism and lawsuits, directed at this very song.

Hmmm.

While I acknowledge that the verses are somewhat like Gaye's "Got To Give It Up" in terms of their backbeat, and their light, somewhat jazzy articulation, there's not enough concrete similarity to justify a lawsuit.

Gaye's 1965 hit, "Ain't That Peculiar" has also been alleged to be a source for this song, but that claim is even more ludicrous.

For most folks, all it takes to declare that songs "sound alike" is for the songs to be in the same key (See Creedence's "Green River", The Hollies' "Long Cool Woman", and Dwight Twilley Band's "I'm On Fire"). And all it takes to force songs into the same key is some software.

Yes, there's a version of this out there somewhere that's been forced into the key of E, just to make the case for plagiarism.
Here come bad news
Talkin' this and that
Anyway, here, for the consideration of old people everywhere (but certainly not as old as my parents), is Pharrell Williams with my current obsession, "Happy".