Lost and Found takes a page out of the Flatt and Scruggs playbook for this tune, using quartet harmonies — which are reserved for gospel numbers by most bands — on a number that is anything but sacred. In fact, it’s funny as all git out, in a rueful sort of way.

It’s the story of a sleaze who gets caught being sleazy. Somewhere in the middle of the proceedings, the mandolin man takes a break that morphs into “Tequila”. That might be a hint as to why the cad in this story is stuck moping over “Leftover Biscuits”.