I might as well say something about the general lack of blues in bluegrass music.
The Country Gentlemen, The Seldom Scene – those groups at the
forefront of the progressive bluegrass trend – were always better when
they kept a little blues in their bluegrass.
At minimum, their best work was suffused with the passion – if not
the bent notes – of the blues. The same is true today of artists like The Truffle Valley Boys, Jussi Syren, Nathan Stanley and Michael Daves. Keep the blues –
both the notes and the passion – in bluegrass, I say.
Here are Bill Monroe and his Blue Grass Boys with a thrilling textbook example, “Rocky Road Blues”.
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